Groupies and artists

(written by lawrence krubner, however indented passages are often quotes). You can contact lawrence at:


For me, the most interesting question that “Groupies” raises has less to do with cultural pathways and more to do with old-fashioned carnality and the places within us that it comes from. Perhaps it’s not so much that sex was the only option for these women, but that it was their preferred option. Fandom operates differently than a creative or critical impulse—and it wants for different things, too. People find all sorts of ways to manage the magnificent, sometimes paralyzing feelings a true communion with art incites: as long as there have been humans making beautiful things, there have been other humans who wish to subsume or harness that energy via sexual congress. Sex is a method (and an effective one) for achieving a kind of transcendental closeness to another person and, by inevitable extension, to the work that they make.

Consequently, “Groupies” can be understood as an unapologetic celebration of how a coterie of self-liberated women ultimately chose to explore that complex, ancient idea—to see what happens when a person comes at beauty with beauty, when she gives herself over, entirely, to an abstraction. Here, in these photos, plain on each of their faces, is all the determination of a true seeker.